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SUMMARY:Robert Burridge – Abstract Acrylic Painting and Collage – Zoom Only
DESCRIPTION:Robert Burridge Zoom Workshop\nCreative tearing and paint splashing starts off this all new “Loosen Up Workshop.” You will learn how to begin a new fresh body of work with your own artistic voice and point of view. Think “artist retreat,” producing a body of work, a series of paintings or your conceptual solo show.\nRobert Burridge, along with his famous daily handouts, demos and lectures, helps and guides you to paint the way you have always wanted to paint. Daily, you can expect warmup paint sketching, brief painting and lecture demos, constructive critiques and plenty of time to work on personal projects. Burridge’s newest color wheel technique is also demonstrated. Come prepared to paint your stuff!\nPrice $325 \nSuggested Materials List – This is only a suggested materials list.\nDo not feel obligated to purchase everything on this list. Bring what you think you\nwill need and use.\n1) Paints: Any professional-grade acrylic paint (no cheap, student grade paints).\nYour choice of colors, plus black and white for the first day.\nBurridge will be painting with Holbein Artist Acrylic paint – colors to match his GoofProof Color Wheel, plus black and white.\n•Pyrrole Red Light •Marigold\n•Hansa Yellow •Cobalt Blue\n•Cad Green Deep •Compose Blue #1\n•Ultramarine Deep •Compose Blue #2\n•Primary Magenta •Titanium White\n•Opera •Lamp Black\nHolbein paints available at Vermont Art Supply. (800) 790-2552 or\nwww.VermontArtSupply.com Ask for John Bates. (He knows Bob’s 10 favorite\ncolors, plus Hot Pink Opera. Also black and Titanium White.)\n2) Brushes: Acrylic/Blend combos, 1” Flat or Filbert. Several 2” brushes. No foam\nbrushes or tiny brushes. Also have a 2” soft brush for varnishing.\n3) For cleaning brushes: Murphys Oil Soap, “Original Formula.” (grocery & hardware\nstores) or Masters Brush Cleaner.\n4) Surfaces: Per day you may need up to 2 Full Sheets (22”x30”) of 140 lb. or 300\nlb. CP watercolor paper, pre-gessoed (thin layer of acrylic gesso – brush or trowel\non one side only, let dry) Brushmark texture is okay; do not sand smooth. I\nrecommend Fabriano Artistico or Cheap Joe’s Kilimanjaro Watercolor Paper, 140\n5) One pint of thick white professional acrylic gesso. Used as both gesso and white\npaint. Bob uses Utrecht’s Professional Gesso —it’s thicker and the most Titanium\nthan most. Available from Utrecht online.\n6) Glue for Collage Work: Polymer Gel Medium – gloss. Bob uses Nova Color Gel\nMedium #207. Also bring a 2” cheap brush for spreading the gel medium.\n7) Your own collection of collage paper scraps, such as: Old letters, music sheets,\nphotos (make prints from a Xerox copier), fabric or any other weird stuff you need.\nFor the first day – Have several sheets of black tissue paper.\n8) Final Coat: Water-based POLYMER VARNISH with UVLS for “sealing” all paintings\n– gloss, semi gloss or matte. Bob uses Minwax Polycrylic Water Based from\nhardware store.\n9) Small water container – such as a 10×10 inch tupperware-type container. (They\ndon’t fall over)\n10) Table covering – Clear 4ml plastic sheet, (Hardware Store) precut to 4 ft x 8 ft.\nTape down with strong tape. (such as tape for packing boxes) No blue or green\npainters’ tape – it doesn’t stick.\n11) Roll of VIVA towels or similar.\n12) Optional: Robert Burridge’s Goof Proof Color Wheel. (For sale at most Burridge\nWorkshops.)\n13) Rubbing alcohol 70%-90%. (drug store)\n14) Artist’s Sketchbook, smooth or Hot Press, spiral bound for easier note taking\nand smooth sketching.\n \n \n
URL:https://norcrossgalleryandstudios.org/events/larger-and-looser-the-new-masters-program-for-the-postmodern-painter/
ORGANIZER;CN=Norcross Gallery & Studios:MAILTO:
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://norcrossgalleryandstudios.org/wp-content/uploads/2020/09/Bob-Collage.jpg
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